The new boy in town
A new male lion stalks the back range at Werribee as he waits out quarantine.
This is a Real Life Review of the Voigtländer Ultron Vintage Line 28mm f2 M-mount (VM) lens with the Leica M10. This is a refreshed design from the previous Ultron 28mm featuring better lens performance in a smaller and lighter body.
This is a Real Life Review of the Voigtländer Heliar Classic 50mm f1.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring intentional chromatic and spherical aberrations wide open.
This is part of a series of articles showcasing pictures taken on the Voigtländer Ultron Vintage Line 28mm/1:2. These pictures were taken around Queen Victoria Building with the lens aperture mostly wide open (f2).
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken around Queen Victoria Building with the lens at f1.5 (maximum aperture).
The newest exhibit at Melbourne Museum is huge, but so cool – the most complete dinosaur skeleton uncovered so far.
This is part of a series of articles showcasing pictures taken on the Voigtländer Ultron Vintage Line 28mm/1:2. These pictures were taken around Sydney Harbour at Campbell Cove and Dawes Point.
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken around Sydney Harbour at Campbell Cove and Dawes Point.
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken at Chatswood station and show the performance of the lens wide open (f1.5) vs f4.
The Voigtländer Heliar Classic 50mm behaves more like a “toy lens” with intentional chromatic and spherical aberrations wide open, and yet deliver a relatively good and distortion free image when stopped down to f4 and above.
Voigtländer has updated their 28 mm/1:2.0 Ultron VM lens by making it smaller and lighter.
The newest exhibit at Melbourne Museum is huge, but so cool – the most complete dinosaur skeleton uncovered so far.
Renee pinned to a wall in natural light. This is in a different studio, one with a naked concrete floor and a concrete rendered wall, lit by high windows off to camera right. This is not a place for shiny and new. This is a place for the well-worn, including Renee’s tutu.
We talk of leading lines in an image. Renee brings lines in abundance (I think she brought some extra lines from home).
This was shot using the Sony 50mm f/1.2 GM wide open and the Sony A1 at 1/640 and ISO 500.