This is a Real Life Review of the Voigtländer Ultron Vintage Line 28mm f2 M-mount (VM) lens with the Leica M10. This is a refreshed design from the previous Ultron 28mm featuring better lens performance in a smaller and lighter body.
This is a Real Life Review of the Voigtländer Heliar Classic 50mm f1.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring intentional chromatic and spherical aberrations wide open.
This is part of a series of articles showcasing pictures taken on the Voigtländer Ultron Vintage Line 28mm/1:2. These pictures were taken around Queen Victoria Building with the lens aperture mostly wide open (f2).
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken around Queen Victoria Building with the lens at f1.5 (maximum aperture).
This is part of a series of articles showcasing pictures taken on the Voigtländer Ultron Vintage Line 28mm/1:2. These pictures were taken around Sydney Harbour at Campbell Cove and Dawes Point.
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken around Sydney Harbour at Campbell Cove and Dawes Point.
This is part of a series of articles showcasing pictures taken on the Voigtländer Heliar Classic 50mm/1:1.5. These pictures were taken at Chatswood station and show the performance of the lens wide open (f1.5) vs f4.
The Voigtländer Heliar Classic 50mm behaves more like a “toy lens” with intentional chromatic and spherical aberrations wide open, and yet deliver a relatively good and distortion free image when stopped down to f4 and above.
Voigtländer has updated their 28 mm/1:2.0 Ultron VM lens by making it smaller and lighter.
I like the idea of making a perfectly mundane object just a little different. You cannot get much more mundane than a manhole cover, and a great many of them are quite boring. Whoever designed this one decided it could be a bit distinctive without losing any of its functionality. That appeals to me.
This images was shot with the Voigtländer APO Lanthar 50mm f/2 lens on a Sony A1, at f/8 1/200 ISO 250 using manual focus. The image is cropped.
This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
My first excursion with Voigtländer 35mm f/2 APO Lanthar was to the State Rose Garden.
The Voigtländer 35mm f/2 APO Lanthar is the next APO Lanthar released for E mount. Here are my first impressions of the lens.
This is an extra article in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. This post shows the amount of detail this combination can capture.
This is a Real Life Review of the Voigtländer 50mm f2 lens with the Sony A7R IV. This lens is apochromatic and extremely sharp, making it very well suited to the A7R IV.
This is another in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These images demonstrate capabilities of this combination, and the detail that appears, even in a deep crop, when shooting birds in flight and at high ISO.
This is another of a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. This time we look at a series of images from this combination shot continuously.
This is another in a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These show off full frames from this combination.
This is the first of a series of articles showcasing pictures taken on the Voigtländer APO-Lanthar 50mm/1:2.0. These pictures were taken around Melbourne and demonstrate the ability to crop images from this combination heavily.
These pictures were taken at Westfield Sydney (formerly Centrepoint Shopping Centre).
