The Voigtländer Heliar Classic 50mm behaves more like a “toy lens” with intentional chromatic and spherical aberrations wide open, and yet deliver a relatively good and distortion free image when stopped down to f4 and above.
Voigtländer has updated their 28 mm/1:2.0 Ultron VM lens by making it smaller and lighter.
Sony announced a new version of their 70-200mm f/2.8 lens in October 2021. This one replaces their original 70-200mm f/2.8 for E mount, announced in 2016. They did some interesting things in this new lens. I will get to those.
The 70-200mm f/2.8 lens is a staple for professional photographers. It is flexible, capable of good subject separation, and reliable. I am not a professional photographer, and I am quite fond of using prime lenses, but I have owned three 70-200mm f/2.8 lenses over the last two decades, because they are too useful to ignore. I bought the Canon EF 70-200mm f/2.8L IS over 15 years ago. It was considered a fine lens back then; almost 1.5kg of metal and glass, complete with Canon’s image stabilisation. Several years later, after a move to Nikon, I bought the Nikkor AF-S 70-200mm f/2.8 VR II. Also a fine lens; and just over 1.5kg of metal and glass with Nikon’s Vibration Reduction system. When I moved to Sony, I resisted the temptation of Sony’s 70-200mm, because it, too, was around 1.5kg (a little less), and I wanted lighter lenses. No 70-200/2.8 for me!
Sony finally got me to buy a zoom lens with the 200-600mm G. I want to reach out to 600mm, but the 600mm f/4 GM is seriously pricy. Unlike the 150-600mm zooms from Sigma and Tamron (which extend a lot when zooming out to 600mm), the 200-600mm has both internal zoom and internal focus. I discovered that I liked that.
So when Sony announced that their new 70-200mm was also internal zoom and focus, I started to pay attention. Even better, this is a 70-200mm f/2.8 lens which defies the expectation that it weigh 1.5kg; this one weighs 1045g, barely over 1kg. This lens gets features we’ve seen in some of Sony’s best new lenses: it has an extreme aspheric element (like the 135 GM, except that this one is made from ED glass, reducing both spherical and chromatic aberrations simultaneously), it has four linear motors driving a pair of focus groups (like the 135GM and the 50GM). Oh, and where the original Sony 70-200 GM had a minimum focus distance of 96cm (which was good), this one reduces it to 40cm.
I got lucky. My local store managed to get stock of this lens quickly, and I leapt on the chance. I needed a 200mm lens that weighed less than the 200-600mm, and Sony didn’t seem to be coming out with a 200mm prime (admittedly, a 200mm f/2 could weigh even more than the 200-600mm). I hoped I would not regret my impulsive behaviour.
Very first impression? It’s really light! It does not feel like a 70-200 f/2.8. It feels barely heavier than my beloved 135mm GM (where “barely heavier” is 95g = 10% of the weight of the 135 GM).
I had plans to visit a collection of exhibits from the London Natural History Museum, so I took my new lens along. It’s an unusual selection of exhibits, featuring some things I had not expected to see (a first edition of Darwin’s Origin of Species, and specimens collected by Darwin and several other famous naturalists). Sadly, a lot of the collection is in fairly dim light. Fortunately, my new lens was fully capable of focussing even in the dim light. My biggest problem was reflections from the glass cabinets – it was impossible to get a good shot of the dodo (I will have to return another day to try again).
The image I’ve shown above was shot at ISO 12000, f/2.8, 1/125 at 108mm on the 70-200mm using a Sony A1. It is uncropped.
It amused me to show an image of a fossil predator taken with the most recent of Sony’s GM lenses.
I would not normally report my first impressions after a single outing with a lens, but this one has really impressed me.
The Sony Alpha 1 is the first in a new line of Sony cameras. This is my impressions of this new camera after 32 000 frames.
The Voigtländer 35mm f/2 APO Lanthar is the next APO Lanthar released for E mount. Here are my first impressions of the lens.
The Sony Alpha 1 is the first in a new line of Sony cameras. This is my first impressions of this new camera.
The Nokton 17.5mm lens is part of a series of Voigtländer lenses for the Micro Four-Thirds system, and all lenses in the series has an amazingly large aperture (f0.95).
This is probably the most quirky currently-in-production lens for the M-mount, looking more like a mini Dalek from Dr. Who than a boring camera lens.
Voigtländer say that this is their “best performance standard lens ever” and that’s a pretty bold claim. It is a high performance manual focus standard lens optimised for the imaging sensors of Sony mirrorless cameras.
The Voigtländer 40 mm/1:1.2 Nokton is a fast, manual lens, intended as an all-rounder walkabout prime lens that can shoot a variety of subjects comfortably. It straddles the gap between two common focal lengths for standard/normal lenses: 35mm and 50mm.
Voigtländer has just released their latest M-mount lens, the Nokton VM 75mm f1.5 fast portrait lens.
Voigtländer’s latest E-mount lens is an amazing super wide angle 21mm lens with a maximum aperture of f1.4!